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Bootlegging Chelsea Girls

MED 24

Inspired by the concept of bootlegging, this project takes Andy Warhol’s Chelsea Girls poster as a starting point to create an object with a double life. Duality is a recurring theme throughout the film, evident in its split-screen format, where two reels are projected side by side, and in its exploration of contrasting personalities.
The characters embody a dual existence, challenging traditional notions of masculinity and femininity. This tapestry/skirt is conceived as a perfect dual object, intertwining functionality and symbolism, and telling a story through the skirt—a timeless emblem of emancipation.

Tutors

Serge Rompza

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