This project proposes a design practice grounded in material and constructive honesty. It does not aim to imitate industrial finishes or conceal processes – it exposes them, celebrates them. Each object emerges as a sensitive response to a specific context, where materials -reclaimed glass, metal, turnbuckles, bricks -are not merely resources, but part of the formal and conceptual language. The resulting form is refined, deliberately exposed, and proposes a way of designing from the real limits of each situation, without compromising intention or depth. It is a kind of design that understands context not as a limitation, but as a starting point for creation.
It is a critical and personal practice that begins with what is available: salvaged materials, basic tools, common hardware store parts, irregular timeframes. But this does not mean precariousness-it is a conscious decision to turn limits into language, into method. Each object is built through making: the hands think as much as the head. The process does not begin with a fixed plan, but with an exploration Where experimentation, improvisation, and error are integral to the process. Precision and care arise not as aesthetic ideals, but as affective gestures toward what one creates.
This project does not seek to impose an answer, but to open a space where design can be rethought through the lens of limits, sensitivity, and coherence with oneself.
